Although the greatest part of the ten-year long author’s body of work has been constituted by architectural photography it is impossible to limit the definition of his works to any thematic or stylistic constant. Apart from the expressive one whose permanent fascination is the light in space.

With an infallibility of a collector of dreams and stories from Barthes’s Camera Lucida, tireless in his search of new images or simply of a different view of already familiar motifs shown from a different perspective, of the whole reduced to elementary symbolism of details and to a minimalist simplicity of shapes, he even uses multiple overlapping of some plans to establish an optically fragile but visually coherent balance of the change from the biomorphic into tectonic form that is as much natural as it is logical.